Bobby Vee

Robert Thomas Velline was born in Fargo, North Dakota, in April of 1943. When Buddy Holly, The Big Bopper and Ritchie Valens were killed in that devastating plane crash in Iowa, on the 3rd of February, in 1959 it was Robert, at the age of just fifteen, who was called upon to fill in for Buddy at the tour’s next venue, in Moorhead, Minnesota.

From there this singer, songwriter soon adopted the pseudonym of Bobby Vee and within two years had emerged as an international popstar. The third single he released, under the livery of Liberty Records, was a revival of The Clovers’ ballad, “Devil Or Angel”, from 1956.

http://youtu.be/Pg4aL97Fn8c

However, it was to be his fourth single, “Rubber Ball”, that was to stamp him as an international success. The song was co-written by singer, Gene Pitney, who substituted his mother’s maiden name of Orlowski on the record’s label.

http://youtu.be/zHihhau3j8I

Bobby, between 1959 and 1970, was to enter the American charts with singles which numbered almost forty in total. This was no mean feat when one considers just how highly competitive entrance to the charts was in those days, what with such a stellar array of talent, both ensconced and burgeoning, on hand.

In the wake of “Devil Or Angel” and “Rubber Ball”, in 1960, Bobby’s most popular recordings proved to be “More Than I Can Say”, Take Good Care Of My Baby”, “Run To Him”, “Walkin’ With My Angel” (all from 1961), “Please Don’t Ask About Barbara”, “Sharing You”, “The Night Has A Thousand Eyes” (1962), “Charms” (1963) and “Come Back When You Grow Up” (1967).

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Across the Atlantic, “More Than I Can Say”, which had only risen to No.61 in his homeland, ascended to No.4. Similarly, “How Many Tears”, in 1961, also performed considerably better in Britain, where it peaked at No.10. In 1962, in Britain, “A Forever Kind Of Love”, reached No.13 and stayed in the chart for nineteen weeks.

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“Rubber Ball” and “One Last Kiss” (which Bobby shared with Crash Craddock, who had released a simultaneous version) both reached No.1, in Australia, in early 1961, and, in the second half of the year, his revival of the classic, “Baby Face”, from the 1920s, reached No.4 there.

“More Than I Can Say” spent four weeks at No.2, in America, in 1980, when the song was revived by Englishman Leo Sayer. Leo became a naturalised Australian citizen, in 2009.

Bobby Vee has continued to tour into his sixties.

I have included Bobby Vee’s original recording of “More Than I Can Say” on my list of favourite recordings, which is located in the suggested playlists.

‘Luskin Star’ Shines: Saturday, 16th April, 1977

“Luskin Star” becomes the highest two-year-old stakes’ winner in the history of Australian horseracing by taking his earnings to $151,200.

“Native Son” won by five lengths at the races in Brisbane this afternoon. The Inter-dominion series for the pacers and trotters is to be held there this evening, at Albion Park.

Sydney enjoyed a maximum temperature of twenty-six degrees Celsius.

From 7.30 p.m., on Channel Seven, the British comedy series, “Morecambe And Wise”, is screened. Eric and Ernie’s guest is Australian actor, Keith Michell, dressed for the part of Henry VIII, the role for which he is known best.

Howard Hughes: Sunday, 17th April, 1977

I listened to the description of Canterbury-Bankstown’s defeat of Manly-Warringah, by twelve points to eleven, at Brookvale Oval.

Venturing upstairs I then viewed a repetition from the series, “Ask The Leyland Brothers”. It takes the viewer to Broken Hill, the town built on mining, in the far west of New South Wales. Broken Hill also lends its name to the large company, B.H.P., which was founded there. The programme also looks at a working bullock team in Tasmania, and the lighthouse at Cape Otway, in Victoria.

From 7.30 p.m., in the series, “Hawaii Five-O”, a victim shoots policemen, at night, from his wheelchair. At half past eight, on Channel Nine, “The Amazing Howard Hughes: Part 1”, begins to take a quite engrossing look into the life of the producer and director of films, investor, business magnate, engineer and philanthropist. Howard Hughes died a year ago at the age of seventy.

Lolita

Edith Zuser was a pop singer who recorded under the stage name of Lolita. She was born in January of 1931, in St Polten, Austria.

Lolita’s recording career began in 1957 and in December of 1959 she recorded her only truly international success, the single, “Seeman, deine Heimat ist das Meer” (“Sailor, Your Home Is The Sea”). It peaked at No.5 in the United States, No.6 in Australia, and performed well in Japan as well as, of course, certain European nations.

Multilingual British singer, actress Petula Clark took her English cover titled “Sailor” and her French equivalent, “Marin (Enfant du voyage)” to the top of the charts on both sides of the English Channel, in 1961.

Lolita died from cancer in Salzburg, Austria, in June of 2010, at the age of seventy-nine.

 

Monday, 18th April, 1977

It is an absolutely glorious autumnal day; about the tenth in succession.

Nancy Kovack guest stars as a singer under threat in “Mannix”.

“A Current Affair” may be viewed from seven o’clock this evening on Channel Nine. ABC-TV’s Channel Two screens “T.D.T.” (This Day Tonight) for thirty minutes from half past seven. “Rich Man Poor Man: Book 2” continues for an hour on Channel Seven, from half past eight.

The Spread Of The Cane Toad: Tuesday, 19th April, 1977

There is an article in today’s edition of “The Sun” which states that forty cane toads, from Queensland, that were let loose at Sydney University on Christmas Eve, are said to be responsible for the deaths of a cat and a dog at Kellyville, a western suburb of Sydney.

The cane toad, a native of South America, was introduced to Australia, from Hawaii, in 1935, to eat the beetle which was attacking crops of sugar cane. However, upon its release the poisonous cane toad decided that it was not as fond of the cane beetle as scientists had been led to believe.

In response to Hawaii allowing Australia to import the cane toad the archipelago was sent the tree that bears the macadamia nut.

In the centre of this same newspaper there is a photograph of tennis champion, Evonne Cawley (nee Goolagong), who, despite the fact that she is eight months pregnant, is clad only in a bikini.

Alvin Stardust

Bernard William Jewry was born, in September of 1942, in London. While he was still a child, his family moved north to live in Nottinghamshire.

Bernard was a roadie with the group, Shane Fenton and The Fentones, and when Shane Fenton (nee John Theakstone) died, as the result of having rheumatic fever as a child, he was invited to become the new Shane Fenton.

The combination had four relatively minor hits covering a period of twelve months from October of 1961. The last of these, “Cindy’s Birthday”, was also the largest, ascending to No.19 on the singles chart in Britain. It was actually a cover of Johnny Crawford’s recording that had risen to No.8 in America, just a few months earlier. Johnny played Mark McCain in the highly popular television series, ‘The Rifleman’. In the series, his father, Lucas McCain, was portrayed by Chuck Connors; back in what truly was the golden age of television.

Once Shane Felton and The Feltones had disbanded, little was heard of Bernard. That is, until the early 1970s when he re-emerged having acquired the persona, Alvin Stardust, in the era of glam rock.

Alvin’s first single, “My Coo-Ca-Choo”, entered the British chart in November of 1973 and, in spite of peaking at No.2, was to spend some five months there.

http://youtu.be/J4Y93Qucbt0

Nineteen seventy-four was to be Alvin’s most successful year. He took “Jealous Mind” to No.1, “Red Dress” to No.7, “You You You” to No.6, and “Tell Me Why” to No.16.

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Alvin’s only real achievement, in 1975, was to have “Good Love Can Never Die” reach No.11. Thereafter, a hiatus of some six years ensued before “Pretend” rose to No.4. The song had been a hit for Nat ‘King’ Cole, in 1953, and Gerry and The Pacemakers, in 1965.

http://youtu.be/iJRZTSvNUxI

Three more years passed before “I Feel Like Buddy Holly” (No.7) established him as an extant recording artist, yet again.

In late 1984, “I Won’t Run Away” followed, reaching its zenith, at No.7, in early 1985.

In Australia, Alvin’s “My Coo-Ca-Choo”, was virtually his only hit, having risen to No.2, as it had in Great Britain. To my knowledge, he remains an unknown to the vast majority of Americans.

‘Who Needs Australia?’: Wednesday, 20th April, 1977

Bill Collins introduced the motion picture, “This Is My Love” (1954), at noon, on Channel Seven. It stars the late Linda Darnell, Faith Domergue — whose character’s husband, played by the late Dan Duryea, is confined to a wheelchair — as sisters, who are both vying for the love of the same man, portrayed by Rick “Combat” Jason.

From two o’clock, in a programme of the series, “Medical Center”, actor, Peter Haskell, who plays Charles Estep, in “Rich Man Poor Man: Book 2”, is cast as a fellow who leads a young woman, with a tumour, into thinking he will take her on a trip to Australia. The show concludes with Chad Everett’s character, Dr Joe Gannon, declaring: “Who needs Australia?”

Anne Baxter guest stars on “Mannix”, at 3.00, as an actress who is haunted by her ‘dead’ husband, and sister.

I paid one dollar and twenty-five cents for a two-litre, plastic bottle of Sunburst orange juice; having ducked out between showers on a day of intermittent rain.

At 7.00, on Channel Nine, we watched “A Current Affair”. If this evening’s programme is indicative of the norm then it cannot hold a candle to “Willesee”! John Laws, a local radio personality and close mate of the American singer, songwriter, Roger Miller, is back in hospital. He was last admitted in March of 1974.

A concert by famed American, pianist and showman, Liberace, screens from half past seven. It was recorded in Melbourne last year. “The Amazing Howard Hughes: Part 2”, which stars Tommy Lee Jones, follows, at half past eight.

Bill Anderson

James Willaim Anderson III was born in November of 1937, in Columbia, South Carolina. Nevertheless, he spent his adaptational years in and around Atlanta, Georgia.

‘Bill Anderson’, as he became known, learned how to play the guitar while in his teens. He formed a hillbilly band, which he named The Avondale Playboys, in honour of his high school.

Bill obtained a degree in journalism from the University of Georgia, while he worked as a disc jockey and wrote articles on sport for a local newspaper. Another string to his bow was that of a songwriter and, in this regard, he did not have to wait for long to taste success as Ray Price recorded “City Lights” which spent thirteen weeks at No.1 on the country charts, in 1958.

Moving to Nashville, Bill was signed to Decca Records as a recording artist in his own right. “The Tip Of My Fingers” awarded him with his first Top 10 hit, in 1960, and, in 1961, he became a member of the Grand Ole Opry.

http://youtu.be/AHeECfl3lQ8

The songs and hits kept coming throughout the 1960s and the 1970s and, in the 1980s, Bill branched out to work on television. In 1989, his autobiography, ‘Whisperin’ Bill’, was published.

Many contemporary stars of country music have recorded material written by Bill Anderson. These artists include Vince Gill, Kenny Chesney, Brad Paisley and Alison Krauss.

My favourite recordings of Bill Anderson’s are “Walk Out Backwards” (No.9, in 1960), “I Love You Drops” (No.4, in 1966) and “Wild Weekend” (No.2, in 1968). His largest hits were “Mama Sang A Song” (1962) and “Still” (1963). Each spent seven weeks at No.1 in its respective year.

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