‘More Thoughties Than Naughties?’: Wednesday, 25th May, 1977

En route to Tiki’s place of work, in glorious sunshine, we observed a severely dented 1963 Volkswagen ‘Beetle’ with bandaids strategically placed on those areas which were affected most prominently.

On platform No.4, at Sydenham, an elderly lady castigated the unions and workers employed on the railway, as I spoke with her.

Channel Seven’s ‘Midday Movie’, “Go Naked In The World”, that bears the copyright of 1961 and includes Gina Lollobrigida and Anthony Franciosa in its cast, appeared to be uninspiring and so I turned the dial to “The Mike Walsh Show”, on Channel Nine. Expatriate New Zealander, Dinah Lee, was singing. When another guest was asked about his sexual performance, he stated that it had much to do with inspiration. “More thoughties than naughties?” Mike Walsh retorted.

At five minutes to three I listened to the broadcast of the Lord Mayor’s Cup, from Southport, on Queensland’s Gold Coast. “Ngawyni”, trained by Bart Cummings, and the winner of this year’s Australian Cup, carried sixty kilogrammes to victory. Later, “Blue’s Finito” won the Flying Handicap there and paid $3.10, for a unit of twenty-five cents, placed on the tote for the win on the N.S.W. T.A.B.

On “Mannix”, from three o’clock, on Channel Seven, the private investigator assists an American Indian friend — whom he first met during the Korean War — whose mate is killed, and sister raped, by a young rich thug in Albuquerque.

This evening’s edition of “Last Of The Wild”, narrated by Lorne Greene, traces how animals are rescued from an area, in Venezuela, which has been stricken by drought.

“The Red Tent”, a motion picture from 1969, is shown from half past seven. It centres upon General Nobile whose airship crashes on the ice of the Arctic. The accident results in the death of Norwegian Roald Amundsen, the first man to have reached the South Pole, when he goes in search of survivors. The film stars the late Peter Finch, Sean Connery, Hardy Kruger and Claudia Cardinale.

The Vogues

The members of The Vogues had been friends since childhood, in Turtle Creek, Pennsylvania. This male, vocal group began as a doo-wop quartet, in 1958, but its success was to come amid the genre of garage-rock that emerged in the 1960s.

The Vogues’ leading vocalist was Bill Burkette. Bill was ably supported by baritone, Don Miller, and two tenors, Hugh Geyer and Chuck Blasco. As was the case with many groups, early success eluded the four. In fact, The Vogues was to remain virtually unknown until 1965.

That was the year in which the quartet received the opportunity to cover Petula Clark’s “You’re The One”. Petula had co-written the song in collaboration with fellow Briton Tony Hatch, who had already penned her international smash, “Downtown”, in that previous year.

Whilst Petula Clark was to take “You’re The One” into the British and Australian charts, it was to be The Vogues who would take it to No.4 in America.

http://youtu.be/Gc2xfWooktg

Coming from a suburb of Pittsburgh, a city with an industrial heart, it was, therefore, only fitting that The Vogues should follow its initial success with an anthem straight from the floor of a factory; in the form of the truly superb, “Five O’Clock World”.

Surely, it was only the volume of recordings of high quality at the time of its release, in November of 1965, that prevented “Five O’Clock World” from rising higher than No.4 on Billboard’s Hot 100?

http://youtu.be/smhOTGxzAV4

Not wishing to be pigeon-holed, and with a passion for harmonising, The Vogues turned to reviving standards from the 1950s and early Sixties. This, at a time when the youth of the day was much more attuned to the releases of Steppenwolf, The Doors, Cream, Jefferson Airplane, and Iron Butterfly: America’s precursor to heavy metal. Still, Top-Ten hits were there to be had albeit more than three years after “Five O’Clock World”.

The Vogues’ revivals of Bobby Helms’ “My Special Angel”, from 1957, and Glen Campbell’s initial entry to the charts, in 1961, “Turn Around, Look At Me”, both reached No.7 on Billboard, in 1968. The quartet’s last entry to the charts came in 1970 although The Vogues continued to record throughout the Seventies.

http://youtu.be/nWxm5YRmzEU

I have added “Five O’Clock World” to my list of favourite recordings, which is located in the suggested playlists.

‘The Naked Vicar Show’ Premieres: Thursday, 26th May, 1977

This morning is gloriously sunny. It cost us $81.25 to have the telephone connected to our new house.

Guests on “The Mike Walsh Show” from noon, on Channel Nine, included an obese toothless prostitute; as well as actor, John Waters and entertainer, Ross Dunbar, and the latter’s wife, talking about how their marriages have survived their careers in show business.

On “Mannix”, from three o’clock, on Channel Seven, a fellow, played by Paul “The Naked City”/”Twelve O’Clock High” Burke, survives the crash of an aeroplane in which the other three hundred and thirty-nine passengers and crew are killed. When he is released from hospital, after facial surgery, his wife believes that he is not her husband.

We turned the television off, at eight o’clock, half of the way through the premiere of Australian satirical comedy series, “The Naked Vicar Show”, on Channel Seven. It is a Seventies’ version of the Sixties’ “The Mavis Bramston Show”. It features Noeline Brown — who was also in “The Mavis Bramston Show” — Kevin Goldsby and Ross Higgins.

“These Boots Were Made For Laying!”: Friday, 27th May, 1977

I talked to a gentleman who once worked in Emmaville, in the north of New South Wales. Having briefly visited it, in 1974, I quipped that to visit that particular town was like going back twenty years in time. Without so much as a hint of a smile he retorted, “More like seventy years!”

An easygoing, happy gent, who had not had a holiday in seven years, laid our carpet for us. He was called upon to lay it hurriedly in the second bedroom because dusk was approaching rapidly and we had discovered that the light bulb was inoperative. The carpet is “short” near the door to the bathroom and, next week, he is going to obtain a special metal strip and cover the gap.

He told us of how his knee “blew up” as a result of him constantly hitting the stretcher. His doctor stuck a needle into it and since then he had experienced no further problems.

One carpet-layer, he had heard of, had filed the metal studs on a pair of football boots until each one possessed an extremely fine point, whereby he could move about the room stretching the carpet by kicking at it. This supposedly minimised the need to knee the stretcher, but, as our layer added, “It wouldn’t do the carpet much good!”

This evening we remained watching Channel Seven. The British comedies, “Doctor At Sea” (featuring Robin Nedwell, Geoffrey Davies and Ernest Clark) and “Mother Makes Three” (Wendy Craig), followed “Willesee”, and from half past eight, the film, “Fitzwilly”, from 1967, stars Dick “The Dick Van Dyke Show” Van Dyke and Barbara “Get Smart” Feldon.

Redgum

The principal members of Redgum were drawn together via their involvement with Flinders University, in Adelaide, South Australia. They were John Schumann, on vocals and guitar; Verity Truman on flute, saxophone and vocals; Michael Atkinson, vocals and guitar; and Chris Timms, on violin. The group formed in 1975.

Redgum’s first album, ‘If You Don’t Fight You Lose’, was released in 1978. In total, the band released six albums, the most successful of which was ‘Caught In The Act’, in 1983.

In 1980, Redgum was signed to record on the label, Epic, a subsidiary of CBS. This fearlessly outspoken folk-rock group was fervently nationalistic and, by 1983, had become one of Australia’s favourite live bands. It campaigned inexorably to better the lot of Aborigines, veterans of the Vietnamese War, the unemployed, and for the preservation of the environment. Redgum also opposed the influence of America on Australia’s culture.

The single, “I Was Only 19 (A Walk In The Light Green)”, was released in 1983 and, in May, spent two weeks atop the Australian chart.

http://youtu.be/cAwvH8FbdjM

I once heard an interview with John Schumann, who wrote the song, in which he stated that he had been approached with a lucrative offer from America for the rights to “I Was Only 19 (A Walk In The Light Green)” but he turned it down as to accept would have led to the Americanisation of its lyrics.

“I’ve Been To Bali, Too” followed, in 1984, and peaked at No.9. Those were the days when tourists to the Indonesian island mainly had to be wary of being caught out by the operators of dodgy tours. Some twenty years later the real concern was not to become the victim of terrorism and be killed en masse in an attack by bombers.

Redgum’s third and last entry into the Australian singles chart came in 1985 when “The Drover’s Dog”, a political commentary put to the music of Gilbert and Sullivan, reached No.5.

Chris Timms had left the group in 1982, when his replacement had been Hugh McDonald. John Schumann did likewise three years later, in order to embark upon a solo career. Verity Truman remained until the group, itself, disbanded in 1990.

Western Genre: Saturday, 28th May, 1977

Between ten o’clock and noon I watched the pop music programme, “Sounds Unlimited”, hosted by Donnie Sutherland. This was followed by “Sonny And Cher” and, from one o’clock, “Survival” in which this afternoon’s edition focuses on the fauna of the English county of Norfolk.

It is really teeming down outside and so I continued to watch Channel Seven, as Collingwood outclassed Hawthorn in the Australian Rules match telecast live from Melbourne.

The quiz programmes, “Jeopardy” and “It’s Academic”, were followed by a pretty disappointing ‘Special’ on British singer, Brian Ferry, from half past six. “Baa Baa Black Sheep” followed that, on Channel Nine, and, from half past eight, this evening’s serving of “Petrocelli” has as a guest star Rory “The Texan” Calhoun.

“The Texan” was a western series, made for television, which ran from 1958-1960. Other series of this genre included: “Rawhide”, “Gunsmoke”, “Wagon Train”, “The Roy Rogers Show”, “Maverick”, “Bonanza”, “Laramie”, “Cheyenne”, “Bat Masterson”, “The Lone Ranger”, “The Cisco Kid”, “Have Gun Will Travel”, “Tales Of The Texas Rangers”, “Bronco”, “The Rifleman”, “Lawman”, “Sugarfoot”, “Wanted Dead Or Alive”, “Johnny Ringo”, “Tales Of Wells Fargo”, “Trackdown” and “Tombstone Territory”.

‘Kangaroos’ Defeat ‘Kiwis’: Sunday, 29th May, 1977

The first World Series Rugby League game was played, from 12.30 p.m., in Auckland. Australia led New Zealand by twelve points to two at half-time and continued its dominance in the second half to win by 27-12. In doing so the victors scored five tries to the opposition’s two.

Later, I listened to Manly-Warringah being mauled by the Balmain ‘Tigers’. The score at half-time was 15-4, which was extended to 27-11 at the final whistle. Ray Branighan and Elwyn Walters, according to the commentary, were too pedestrian.

At four o’clock, I re-entered the house to watch the remainder of the match between Sydney and Auckland, at rugby union, from the T.G. Millner field, in Eastwood. Sydney led by thirteen points to nine, however, Auckland stormed home in the last twenty minutes to win by 26-13.

Meanwhile, the film, “The 500 Pound Jerk”, which stars James “The Naked City”/”The Investigators”/”Mr. Novak”/”Longstreet” Franciscus, is also screening. It is about an American weight-lifter, who competes in the division for heavyweights and attempts to win a gold medal at the Olympic Games, of 1972, which were held in Munich.

“Ask The Leyland Brothers” takes the viewer to the studios of artist, Pro Hart, in Broken Hill; and also visits Ayers Rock.

“Seven’s Big League” programme, from half past six, replays this afternoon’s spiteful match between Parramatta and Cronulla-Sutherland, which was played at Cumberland Oval. Three players –two from Cronulla-Sutherland — were sent off after an all-in brawl erupted. Parramatta won the match by twenty-two points to fifteen.

Channel Nine, from half past seven, replayed this afternoon’s international, which was held at Carlaw Park.

The Sweet

Unlike its British glam-rock counterpart, Slade, The Sweet was able to make significant inroads on the American charts. However, this was by no means the extent of the group’s popularity.

Whereas mainstream music in the United States had mellowed in the early 1970s, with country rock from bands such as The Eagles much in vogue, in Britain, music remained influenced by the rock of the 1960s.

Later groups of this ilk, such as Kiss, took inspiration from bands like The Sweet and Slade.

In 1968 vocalist, Brian Connolly, joined the group, Wainwright’s Gentlemen, as the replacement for Ian Gillan, who was destined to join Deep Purple. Drummer, Mick Tucker, was already within its membership. The Sweet evolved quite rapidly from that point, with the pair being joined by Steve Priest, on bass, and guitarist, Andy Scott.

The quartet wisely availed itself of the services of Nicky Chinn and Mike Chapman, a duo that was to compose success after success for recording artists, in Britain, throughout the 1970s and ’80s. Mike Chapman had actually moved to London from Brisbane, Australia in search of success. Initially, The Sweet’s releases were based upon the American bubblegum sound of the late 1960s (I refer you to my post on the 1910 Fruitgum Co.), flavoured by the sounds of the Caribbean.

Nineteen seventy-one saw The Sweet issue its initial album, ‘How Funny Sweet Co-Co Can Be’. “Funny Funny” and “Co-Co” were taken off it and both entered the British charts as singles; peaking at No.13 and No.2 respectively.

http://youtu.be/wRoWS-_0nR0

http://youtu.be/1h_lTHDYiUo

“Poppa Joe” (No.11), “Little Willy” (No.4) and “Wig Wam Bam” (No.4) did likewise in the following year. It was to be “Little Willy” (No.3, in 1973) that really took the group to prominence in the United States.

In fact, 1973 was to mark the pinnacle of The Sweet’s career! “Blockbuster” became the band’s only No.1, in its homeland, while “Hell Raiser” and “Ballroom Blitz” both ascended to No.2. Meanwhile, the group’s singles entered the Australian charts for the first time: “Wig Wam Bam” (No.6), “Blockbuster” (No.11) and “Ballroom Blitz” (No.8).

It was to take two years for “Ballroom Blitz” to cross the Atlantic, however, when it did, “Fox On The Run” followed suit and entered the Top Five, too.

http://youtu.be/wjfZG9UzK7E

Nineteen seventy-four witnessed two further major hits, in Britain: “Teenage Rampage” (No.2) and “The Six Teens” (No.9); while, in Australia, for some obscure reason the group’s cover of Joey Dee and The Starliters’ chart-topping “Peppermint Twist”, from 1961, took off and peaked at No.2, remaining in the Top Forty for twenty-one weeks.

In Britain, in 1975, The Sweet’s most notable successes were the self-penned “Fox On The Run” (N0.2) and “Action” (No.15); while, in Australia, they were “Fox On The Run” (No.1), “Action” (No.5), and, in 1976, “Lies In Your Eyes” peaked at No. 11.

Brian Connolly’s heavy drinking was beginning to weigh upon the band and British clubs began to ban The Sweet due to its behaviour on stage. The quartet had also parted company from the songwriting duo, which had really been the foundation to its level of success.

In 1978, The Sweet released the album, ‘Level Headed’, and from it came the band’s last single to enter the Top Ten: “Love Is Like Oxygen” (Britain, No.9; U.S., No.8; Australia, No.6).

http://youtu.be/m_seM76nYnk

Brian Connolly, a Scot, left the band, in 1979, to pursue a career as a solo artist. His liver failed him, in February of 1997, at the age of fifty-one. Mick Tucker departed in 1991, due to ill health, and died in February of 2002, from leukaemia, at the age of fifty-four.

“Ballroom Blitz” can be found on my list of favourite recordings, which is located in the suggested playlists.

‘Grass Skiing’: Monday, 30th May, 1977

I could not sleep and so I arose at ten to four and switched on Channel Nine. The film, “The Woman Hunter”, from 1972, featuring Robert “The Man From U.N.C.L.E.” Vaughn, Barbara “I Dream Of Jeannie” Eden, Stuart Whitman and Michael “Broken Arrow” Ansara, was being screened. The break of dawn heralded a sunny morning and a temperature of just seven degrees Celsius.

This evening, after “Flashez”, I watched “The Big Match”: West Ham and Derby (pronounced as “Darby”) County drew two-all. Both teams are in danger of being relegated to Division 2.

“Willesee”, at seven o’clock, includes an item on a female rower who has been banned from competition because of her alleged loose morals. She used the word “shit” on the show. Another segment includes reporter Paul Makin’s coverage on the new sport of grass skiing.

After “The Dick Emery Show”, we turned to the ABC’s Channel Two to view “In The Wild”. In this evening’s edition adventurer, Harry Butler, the presenter of the series, traces the Canning Stock Route in Western Australia and walks on Lake Disappointment — a salt lake — in the process.

We returned to Channel Seven, at half past eight, for Episode 19 of “Rich Man, Poor Man: Book 2”.

‘What Is Cold To Some…!: Tuesday, 31st May, 1977

This is unofficially the last day of autumn. I defied the threatening storm clouds and walked to work. A cold wind blew strongly at lunchtime. In fact, it was so cold outside that it required an effort just to speak.

The maximum temperature of just fourteen degrees Celsius means that Sydney has experienced its coldest day in May since 1956. Melbourne’s maximum of just eight delivers that city its coldest day in May for eighty years.

The Australian music series ‘Flashez’, presented by singer, Ray Burgess, may be viewed from 5.30 p.m., on ABC television, and is followed by ‘Last Of The Wild’, a documentary narrated by actor and recording artist, Lorne Greene. This evening’s edition screens from six o’clock and is entitled ‘Animals Of The Forest’. Lorne, who was born in Canada, in 1915, played Ben, the patriarch of the Cartwright family, in the perennial western series, ‘Bonanza’, from 1959 until 1973. In 1964, his recording, ‘Ringo’, spent three weeks atop the American charts.

‘A Gathering Of Eagles’, a film from 1963, is centred around life on an airforce base and stars Rock Hudson, Rod ‘Hong Kong’ Taylor and the English actress, Mary Peach. It is introduced by Bill Collins, from half past eight, on Channel Seven.

Former Prime Minister, Gough Whitlam, survives a challenge to his leadership of the Federal Opposition when he receives thirty-two votes, from colleagues in the Labor Party, to Bill Hayden’s thirty.